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 Hell is often depicted as a place underground, with fire and molten rock where the devil lives. The devil is popularly depicted as a being or creature who carries a pitchfork (which in turn is actually a trident), has flaming red skin, horns on his head, a black goatee beard, and a long thin tail with a triangle shaped barb on it. |
Many of the great epics of European literature include episodes that occur in Hell. In the Roman poet Virgil´s Latin epic, the Aeneid, Aeneas descends into Dis (the underworld) to visit his father´s spirit. The underworld is only vaguely described, with one unexplored path leading to the punishments of Tartarus, while the other leads through Erebus and the Elysian Fields.
In his Divina commedia ("Divine comedy"; set in the year 1300), Dante Alighieri employed the conceit of taking Virgil as his guide through Inferno (and then, in the second cantiche, up the mountain of Purgatorio). Virgil himself is not condemned to Hell in Dante´s poem but is rather, as a virtuous pagan, confined to Limbo just outside its gates. The geography of Hell is very elaborately laid out in this work, with nine concentric rings leading deeper into the Earth and deeper into the various punishments of Hell, until, at the center of the world, Dante finds Satan himself trapped in the frozen lake of Cocytus. A small tunnel leads past Satan and out to the other side of the world, at the base of the Mount of Purgatory.
The 1976 novel Inferno by Larry Niven and Jerry Pournelle is set in Dante´s Hell with 20th century protagonists.
John Milton´s Paradise Lost (1668) opens with the fallen angels, including their leader Satan, waking up in Hell after having been defeated in the war in heaven and the action returns there at several points throughout the poem. The nature of Hell as a place of punishment, as portrayed by Dante, is not explored here; instead, Hell is the abode of the demons, and the passive prison from which they plot their revenge upon Heaven through the corruption of the human race.
C.S. Lewis´s The Great Divorce (1945) borrowed inspiration from the Divine Comedy as the narrator is likewise guided through Hell and Heaven. Hell is portrayed here as an endless, desolate twilight city upon which night is imperceptibly sinking. The night is actually the Apocalypse, and it heralds the arrival of the demons after their judgement.
Before the night comes, anyone can escape Hell if they leave behind their former selves and accept Heaven´s offer, and a journey to Heaven reveals that Hell is infinitely small; it is nothing more or less than what happens to a soul that turns away from God and into itself.
In the play "Man and Superman", George Bernard Shaw pictures Hell as a place of idle worship of youth and beauty.
The idea of hell was highly influential to writers such as Jean-Paul Sartre who authored the play "No Exit" about the idea that, "hell is other people". Although not a religious man, Sartre was fascinated by his interpretation of a hellish state of suffering.
19th century French poet Arthur Rimbaud alluded to the concept as well in the title and themes of one of his major works, "A Season In Hell". Rimbaud´s poetry portrays his own suffering in a poetic form as well as other themes.
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